A motley group of family and friends come together for a holiday.
Typical of a Bengali family, it is noisy and centres around food.
The film begins with death, keeping the identity a surprise, it then starts at the beginning when there is so much life.
A family holiday in a small isolated hill town, set in the ‘70s.
A man bullied, his virtues of manhood questioned.
The only one who is innocent, sensitive and vulnerable. The rest take him for granted, bullying him at every opportunity they get.
His torment is visible and his helplessness painful.
There is talk of ghosts and death. He is needled and used by the rest of the gathering.
There is a quiet anger and shame simmering within, beautifully portrayed in silence by Vikrant Massey.
It is obvious he is the outsider, he wants to belong, It is only in the sweater he finds his belonging. With the dead.
The underlying calmness during tense situations, suddenly becoming a show of power, the brooding Kalki Koechlin watching, taking what she wants, leaving behind a sense of doom for Shuntu. The young Tani, his only companion, knowing what he goes through, but too young to be taken seriously.
The loud humour always there, comes too soon, brash to diffuse the tension and move away fast from impending danger.
The movie is slow, it is not for the Bollywood song and dance viewers, it talks through its silence.
The quiet glance, the all seeing eyes through screens and windows, the graveyard, the association with death, even while living, the 23 year old outcast who is more at ease with the 7 year old than with the adults around him.
The need to conform, but happier being a distant observer.
It is about failure and the inability to accept it, there is love at times, his aunt’s affection the only real thing.
You wait for death, will it be suicide or murder......
Though everything in the film is a build-up towards its undeserved tragic climax, but when it does finally unfold, it leaves you jarred just the same.
People are blinded by their egos and pride, their lust and greed, their masculinity and femininity.
Only the hills have eyes.
"A Death in the Gunj" by Konkona Sen Sharma